Open auditions for “Moon Over Buffalo”
Friday, July 11th , 2025 @ 7PM
July 12th , 2025 @ 11AM
At the Arlington Common Performance Hall located at 3839 Arlington, Vermont
The audition will consist of cold readings from the script.
For more information, contact director Tim Rice @ mactjr@comcast.net
PLOT:
George and Charlotte Hay are fading stars of the 1950s. At the moment, they’re playing
Private Lives and Cyrano De Bergerac in Buffalo, NY with five actors. On the brink of a
disastrous split-up, they receive word that they might have one last shot at stardom:
Frank Capra is coming to see their matinee, and if he likes what he sees, he might cast
them in his next movie. Everything that could go wrong does go wrong in this valentine
to the stage and the larger-than-life personalities that inhabit the world of the theatre.
CAST OF CHARACTERS: 4M, 4F
*** All roles open. Seeking diverse actors of all ages. All are welcome. ***
George Hay: (Late 40’s-60’s) is very dramatic, a slapstick type, over the-top actor. As
leader of his own acting troupe, George has always had aspirations to be famous. He’s
a bit of a ladies man but really is devoted to his wife, Charlotte. The actor must be able
to do strong physical comedy, which could include pratfalls, running, stage slaps, stage
combat, etc.
Charlotte Hay: (Late 40’s-60’s) is very much a drama queen. She helps to run the
acting troupe and plays all the leads even the ones she’s a bit old for. She is a
consummate actress who still has dreams of being a star–at all costs! She loves
George but is getting tired of his philandering. She has to be able to do an upper-class
British accent. Some physical comedy required.
Ethel: (late 60’s-70’s) is Charlotte’s mother–close to her daughter, but not happy with
her daughter’s choice of a husband. She is also an actress–very witty, and doesn’t take
any crap from anyone! She is very hard of hearing, which leads to comic
misunderstandings.
Rosalind Hay: ( 20’s-30’s) George and Charlotte’s daughter, used to be an actress and
a member of their acting troupe, but she decided that she wanted a real career, so she
left–determined never to act again–or be like her parents! Rosalind is, in fact, always
repressing her dramatic side, but it’s a losing battle by the end. She has a new fiancé,
Howard, but she used to be in love with an actor in her parent’s troupe, Paul. The
actress has to also be able to do an upper-class British accent.
Howard: (late 20’s- 30’s) is Rosalind’s fiancé–a weatherman–so he considers himself to
be in the “acting” business. He comes across as a wimp, a little annoying, nervous, and
very excitable. The actor must be able to do strong physical comedy.
Eileen: (20’s-30’s) is an aspiring actress, eager to please. She has a crush on George
and has been having a fling with him. Eileen wants to be a leading actress with the
company, and she comes across very flighty and naïve, but ultimately will do anything
to get what she wants. She can be played as a bit manipulative.
Paul: (late 20’s-early 30’s) is a member of the acting troupe, who used to be with
Rosalind and still loves her and wants her back; but he is an actor first and foremost, so
he wouldn’t leave the troupe to be with her. Paul has a quiet, subtle sense of humor and
often holds the company together. The actor must be able to do an upper-class British
accent and must be able to do strong physical comedy.
Richard: (50’s-60’s) He is George and Charlotte’s attorney, but he is in love with
Charlotte–always trying to get her to leave George. He is wealthy and used to getting
what he wants, and he is both amused and perplexed by the Hay family.